This series documents the immediate tension of an ICE protest at San Diego State University, capturing the campus not as a place of study, but as a site of political friction. While much of my work explores the quiet relationship between objects and environments, this project shifts the lens toward the human voice and the physical space of dissent. The photography focuses on the "energy of the boundary"—the invisible line between the protestors and the institution. By isolating the grit of the signage, the intensity of the faces, and the way a familiar academic setting is transformed by urgency, the work explores how a peaceful landscape can be instantly repurposed for advocacy. It is a study in raw scale: the power of the collective versus the stillness of the architecture.